ACID DANCER

The Ortega Home was a suburban Florida style duplex-turned-squat, complete with turquoise trim, white walls and two outdoor refrigerators, one in the garage and one in the patio. The Ortegas were a crude caricature of what a family should be: Manny (age 18), Ty (age 14) and Phil (age 13), an older sister, Nicole (age 19), and their mother, Tina. No dad.

The youngest brother slept in a teepee in the living room. The older ones worked at fast food joints, selling raver drugs to high school kids out of the drive through windows. In the eyes of our parents, Tina technically constituted as Adult Supervision. Tina let us run wild. She even did drugs with us. Her defense was that she’d rather have her children and their friends do drugs at home with her than out on the streets. I think she just wanted to feel like part of her own family.

Conversely, Nicole never hung out. Normally she stayed cloistered inside her room. I secretly had a crush on her even though the few times I made contact with her, she referred to me as “one of her brother’s little friends” or, worse yet, “Worm”. Nicole’s aspiration was to be a Rockette or a Vegas showgirl. I had no idea what either of those ambitions entailed other than being a hot leggy lady with lots of teeth that pranced around to Holiday show tunes with a bunch of other identical girls that were all, for whatever reason, marketed to the elderly. I knew this because West Palm Beach was swamped with retirement homes. The elderly and their puzzling ways were a consistently ominous presence in my life.

Sunday morning at the Ortega house, I was one of the stoned kids, paralyzed on the couch watching my friends play Super Nintendo. Not giving a fuck who won. The oldest Ortega, Ty had a best friend named Scott who was an instigative rube that, when drunk, always tried to convince us to shave our heads. On top of being an asshole, he was crazy. He once forced a 13-year-old boy to snort a giant line of K. The kid freaked out so badly he ran out the house, narrowly avoided being hit by a car before being found by his sister, crying, stranded and confused at a nearby strip mall. Scott for no reason, didn’t like me, straight up. He’d antagonize incessantly, trying to pick a fight. I always walked away humbled, because I was afraid of losing.

Outside on the patio, Scott and a few older kids were beer bonging. I could tell by his exaggerated gestures that he was showing off. Past the screen door we made eye contact. Through a drunken sneer, he surreptitiously whispered something to the other guys. Obviously the heat was directed at me. Hiding out inside Nicole’s room was my only plan of escape.

On the other side of Nicole’s door I heard the soft throb of trance music. I stopped short of knocking to breath in. I allowed a collection of scents—Aquanet hairspray, clove cigarette smoked, gas station incense—to settle in my lungs. Combined with Nicole’s feminine scent, I thought of an ocean I’d like to drown in.

Thankfully Nicole let me in because she also hated Scott. Semi-joking, she said that I could hang out if I didn’t talk. I could tell she got a kick of how intimidated I was. She was taking mushrooms and wanted to practice dance stuff. I remember her telling me that tripping was the only way she could concentrate in that house. She said it was the only way she could truly be alone.

Paul is working with us on a new column, and we’re very excited about it. If you are female and would like to be photographed, please email us at Editor@Superchief.tv with a current headshot for details.

‘CULT OF RAGE’ 1988 NEWS SPECIAL ON MISSING FOUNDATION

We’ve got a special edition of NY TIMES TRAVEL to provide a bit of context for Peter Missing‘s upcoming exhibition [...]

BLACK POWER: Ron Wimberly, Jorden Haley and Coby Kennedy | Superchief Gallery at Culturefix (REVIEW OF SHOW)

If you’re the type of person that is easily offended, I’d love to watch you walk through Black Power, Superchief Gallery’s latest one-week show. This tongue-in-cheek group show features work by artists Ron Wimberly, Coby Kennedy and Jorden Haley.

BLACK POWER: Recent Works by Ron Wimberly, Coby Kennedy, Jorden Haley | Superchief Gallery at Culturefix (PREVIEW)

Superchief Gallery at Culturefix is proud to present BLACK POWER, with new work from three artists who reflect on blackness. Ink. Death. Skin. Steel. Those artists are Ron Wimberly, Coby Kennedy and Jorden Haley.

REVIEW: ‘INCORRIGIBLE’ GROUP SHOW (VIDEO + PHOTOS)

in·cor·ri·gi·ble – incapable of being corrected or amended: as
(1) : not reformable : depraved (2) : delinquent
b : not manageable : unruly

THIS SUNDAY!!! ED ZIPCO & BILL DUNLEAVY PHOTO SHOW CLOSING PARTY AND ASK ME ANYTHING IN THE LOWER EAST SIDE!!!

Come by and Ask Us Anything, Superchief Founders William Dunleavy and Edward Zipco will be here to tell you about the photos and talk about what it was like when one thing or another exploded, why those highschool kids are tazering each other in a parking lot and how funny it is when undercover cops wear shit from the mets franchise.

SMOKE WEED TO THIS: NEON TRAILS THAT NEVER FADE AWAY SET TO FRENCH GIRL MUSIC. (I KNOW IT LOOKS LIKE AN OLD SPRINT COMMERCIAL, GET PAST IT.)

It starts out and i’m just trying to figure out what i’m watching this guy do, and then suddenly, after [...]

SUPERCHIEF GALLERY IN THE PRESS | PAPERMAG & INTERVIEW MAG

While we’ve only just recently been able to catch our breath long enough to get back to writing on our own blog, a couple of media outlets caught wind of what’s going on at the gallery in Manhattan. Just wanted to say thanks to Paper Magazine & Interview Magazine for the write ups, this year is gonna be funnnnnnnnn.

‘THE WHOLE HOUSE EATS’ House of Ladosha Retrospective at Superchief Gallery, FEB 7, 2012

‘The Whole House Eats’ is the debut retrospective by the House of Ladosha, a collective of gender-bending artists and performers from NYC. Curated by house member and archivist Chris Udemezue, Ladosha’s retrospective features a wide range selected video works along with visual work.

SUPERCHIEF GALLERY @ CULTUREFIX: 52 EXHIBITS IN 52 WEEKS

Hey everyone in the world, we’ve launched a kickstarter to raise a budget for artists and performers at our new [...]

That (Occassionally) Weekly Wrap-Up: KOs, Shitted Pants and General Ratchetness

AWWWW YEAHHH

REVIEW: SUPERCHIEF GALLERY MOVES TO THE LOWER EAST SIDE OPENING

A review and photos of Superchief Gallery’s debut exhibition at the new gallery in the Lower East Side. Featuring 20 of our favorite artists and an extended version of the group show we presented at Miami Art Basel.

SUPERCHIEF GALLERY MOVES TO LOWER EAST SIDE: GALLERY OPENING TONIGHT!

SUPERCHIEF GALLERY MOVES TO THE LOWER EAST SIDE IN NYC – COME HELP US CELEBRATE!!!!

NEW YEAR, NEW GALLERY, ALL NEW EVERYTHANG; SUPERCHIEF IS HIRING, COME GET AT US. (Details here)

JOIN US.

MIAMI ART BASEL WRAP UP: METRO ZU PAINTED A LAMBORGHINI, AND 200 PHOTOS

Miami Art Basel was CRAZY, son. Here’s all of the pictures and video you need to live vicariously through SUPERCHIEF.

ZIPCO AND DUNLEAVY LEFT ME IN CHARGE OF SUPERCHIEF, SO FUCK IT.

“Been in the game for years, it made me an animal / it’s rules to this shit, I wrote me a manual”

WELCOME TO THE YOUTH CHRONICLES.