Since the US government hasn’t given us enough reasons to staple-gun a tin-foil hat permanently to our heads, the BBC recently revealed an ongoing project called SBInet (yes it was actually called that, because apparently the government takes its cues on what to name its projects from 90′s movies about the internet):

A third-party observes the scene in silence: an army of electronic sensors acting as watch guard in a place where the arm of the law would not otherwise reach. One false move and what seems like simple rocks and stones spring into life, sending alarm signals to a nearby tower. In a matter of seconds radar and infra-red cameras sweep the area in search of intruders.Information travels in microwaves to a control room and human patrol men are sent co-ordinates and images to let them detect whether the subject is armed.

No this is not some excerpt from a Phillip K Dick novel. This is a project in which George W. Bush’s administration gave the go-ahead to use Arizona as a testing ground for a “virtual fence”. This project’s purpose was to install almost 2000 miles of surveillance technology along the border. In order to reach this goal the US government purchased 7,500 tiny, solar powered sensors between 2003 and 2007 to create a movement detection perimeter known as Unattended Ground Sensors (UGS). In addition to these censors they also purchased watchtowers with infra-red radars and optical sensors. On top of that Homeland Security purchased unmanned drone aircrafts capable of detecting people and vehicles from a height of almost 20,000 ft and ominously referred to as “desert phantoms” to patrol the skies over Arizona, Florida, Texas and North Dakota. These bad boys were fitted with radar, seven video cameras, an infra-red sensor and a powerful zoom. Because $180 million on planes wasn’t enough money to burn on aircrafts they were also looking into testing self-controlled surveillance blimps equipped with cameras, known as “floating eyes.”

We all know how well that’d probably turn out.

So how much of this supposed 2000 miles ended up actually being viable? 50. freaking. miles. And how much did it cost? 1 Billion dollars, of course. This for something that can’t tell the difference between a tree and a person.  And it was supposed to be in complete working order by 2011, yes this year. Luckily for a few drug traffickers and arms dealers (but mostly people coming to this country to live a shit life of cleaning toilets and picking tomatos in 100 degree weather) it turned out the wall was a technological nightmare.

And best believe this isn’t the first time they tried this. They also tried the same thing in 1998 and 2005, and these attempts also failed. You’d think three times would be enough to let the government know this is a shit project, but despite the three failed attempts, the US government is ready to try for a fourth, with plans to invest another $750m into a project called “lntegrated Fixed Towers” aka “Operation Fix the Shit We Haven’t Been Able to Get Working the First Four Times Around.” The Department of Homeland Security’s natural response to these failures  has been to invite private companies to bid on building six new radar and camera-equipped towers, to be installed by 2020. Government throwing money at failing projects  with companies in which they currently, or inevitably will have future financial engagements with? Surprise Surprise.

Here’s an idea! Why doesn’t Homeland Security just hire a private contractor to build a giant magnifying glass and point it towards a huge stack of tax-payer’s money. Once the money is engulfed in flames they can laugh maniacally and light their cigars on it. They then can hire yet another contractor to clean up the ashes that remain. That would probably be a better use of government funds.

 

‘CULT OF RAGE’ 1988 NEWS SPECIAL ON MISSING FOUNDATION

We’ve got a special edition of NY TIMES TRAVEL to provide a bit of context for Peter Missing‘s upcoming exhibition [...]

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If you’re the type of person that is easily offended, I’d love to watch you walk through Black Power, Superchief Gallery’s latest one-week show. This tongue-in-cheek group show features work by artists Ron Wimberly, Coby Kennedy and Jorden Haley.

BLACK POWER: Recent Works by Ron Wimberly, Coby Kennedy, Jorden Haley | Superchief Gallery at Culturefix (PREVIEW)

Superchief Gallery at Culturefix is proud to present BLACK POWER, with new work from three artists who reflect on blackness. Ink. Death. Skin. Steel. Those artists are Ron Wimberly, Coby Kennedy and Jorden Haley.

REVIEW: ‘INCORRIGIBLE’ GROUP SHOW (VIDEO + PHOTOS)

in·cor·ri·gi·ble – incapable of being corrected or amended: as
(1) : not reformable : depraved (2) : delinquent
b : not manageable : unruly

THIS SUNDAY!!! ED ZIPCO & BILL DUNLEAVY PHOTO SHOW CLOSING PARTY AND ASK ME ANYTHING IN THE LOWER EAST SIDE!!!

Come by and Ask Us Anything, Superchief Founders William Dunleavy and Edward Zipco will be here to tell you about the photos and talk about what it was like when one thing or another exploded, why those highschool kids are tazering each other in a parking lot and how funny it is when undercover cops wear shit from the mets franchise.

SMOKE WEED TO THIS: NEON TRAILS THAT NEVER FADE AWAY SET TO FRENCH GIRL MUSIC. (I KNOW IT LOOKS LIKE AN OLD SPRINT COMMERCIAL, GET PAST IT.)

It starts out and i’m just trying to figure out what i’m watching this guy do, and then suddenly, after [...]

SUPERCHIEF GALLERY IN THE PRESS | PAPERMAG & INTERVIEW MAG

While we’ve only just recently been able to catch our breath long enough to get back to writing on our own blog, a couple of media outlets caught wind of what’s going on at the gallery in Manhattan. Just wanted to say thanks to Paper Magazine & Interview Magazine for the write ups, this year is gonna be funnnnnnnnn.

‘THE WHOLE HOUSE EATS’ House of Ladosha Retrospective at Superchief Gallery, FEB 7, 2012

‘The Whole House Eats’ is the debut retrospective by the House of Ladosha, a collective of gender-bending artists and performers from NYC. Curated by house member and archivist Chris Udemezue, Ladosha’s retrospective features a wide range selected video works along with visual work.

SUPERCHIEF GALLERY @ CULTUREFIX: 52 EXHIBITS IN 52 WEEKS

Hey everyone in the world, we’ve launched a kickstarter to raise a budget for artists and performers at our new [...]

That (Occassionally) Weekly Wrap-Up: KOs, Shitted Pants and General Ratchetness

AWWWW YEAHHH

REVIEW: SUPERCHIEF GALLERY MOVES TO THE LOWER EAST SIDE OPENING

A review and photos of Superchief Gallery’s debut exhibition at the new gallery in the Lower East Side. Featuring 20 of our favorite artists and an extended version of the group show we presented at Miami Art Basel.

SUPERCHIEF GALLERY MOVES TO LOWER EAST SIDE: GALLERY OPENING TONIGHT!

SUPERCHIEF GALLERY MOVES TO THE LOWER EAST SIDE IN NYC – COME HELP US CELEBRATE!!!!

NEW YEAR, NEW GALLERY, ALL NEW EVERYTHANG; SUPERCHIEF IS HIRING, COME GET AT US. (Details here)

JOIN US.

MIAMI ART BASEL WRAP UP: METRO ZU PAINTED A LAMBORGHINI, AND 200 PHOTOS

Miami Art Basel was CRAZY, son. Here’s all of the pictures and video you need to live vicariously through SUPERCHIEF.

ZIPCO AND DUNLEAVY LEFT ME IN CHARGE OF SUPERCHIEF, SO FUCK IT.

“Been in the game for years, it made me an animal / it’s rules to this shit, I wrote me a manual”

WELCOME TO THE YOUTH CHRONICLES.