(for Elle Sweden March 2012)
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I AM. SOFA KING PUMPED. FOR SUNDAY. PRINTS AND LIVE PAINTING AND ARTWORK BY Sheryo Sherry Oh Pong Tom Costa Alexander Heir Claudia Ramirez Metro Zu Poshh […]
FNT has been the best underground party in NYC for years now, and it’s spreading to the rest of the country now too, thanks to a successful SXSW event and a magazine with TRANSMISSION magazine. We interviewed Fight Night leader Bekim Trenova to talk about all that and what’s to come. PLUS: footage of the release of the magazine. PLUS: footage of the SXSW event. PLUS: footage of Mobb Deep’s performance. PLUS: photos by Tod Seelie. Yeah, we got all that and more, RIGHT HERE.
Contributing photographer Jennifer Osborne has been working in Europe on a photography project about cultural appropriation of Native Americans by Europeans. In wake of Pharrell Williams’ controversial “Indian Headress” on the cover of Elle Magazine, this degree of Native Dress-up seems extra offensive.
Like an episode of Jerry Springer, but with more fireworks.
Following the news of Throwdown’s return at SXSW this year with a Texas vs. NYC event, it seems only appropriate to take a look back at the history of Friday Night Throwdown, and the coverage we’ve had of it here on Superchief over the years. For the uninitiated; Friday Night Throwdown wasn’t just NYC’s best underground boxing event, it was NYC’s best underground party.
The organization that brought Ford models, Marines and Bloods together for New York’s best underground party is bringing their business to Austin, and bringing with them a Texas vs. NYC event…and Superchief will be covering the whole thing, from start to finish.
From the world of UNSTOPPABLE TOMORROW, Superchief Gallery NYC returns this spring with John Felix Arnold III’s EXCORRIGIA | THE SCOURGE, an exhibition of new works in painting, drawing, mixed media, installation, and sound. The exhibition will run from April 3 through April 13, and there will be an opening reception on Thursday, April 3 from 6-10pm at CultureFix on 9 Clinton Street.
“High on Hunger” is Jane Chardiet’s new zine, featuring personal essay, photography and interviews with 12 artists, including some of our favorites, about their 2013 and their artistic goals in the new year, along with photographs of each licking fire. It’s good stuff, so I asked Jane about her 2013, because turnabout’s fair play and that’s how the game works.
Whatever your city is doing, what the homies out in B-More are doing is 10x as crazy. 12 O’ Clock Boys is one of the hardest movies we’ve seen in a long time, hands down, exploring a city and a culture that just doesn’t give a fuck (and featuring Baltimore himies like Schwarz on the soundtrack) the film gets more done in it’s 75 minutes than most documentaries do in twice that.
Talking shit on random tapes cuz I wanna. Round one: Mongrel, Skinny Puppy, Madonna, Gowanus Mutant Kommandos, Temple of the Dog and MORE.
Ricky Luanda of the experimental NYC punk band Chain Gang, one of the coolest bands ever, passed away earlier this week from esophogeal cancer. Watch 10 minutes of the bands’ rare, legendary, batshit crazy 1980’s film “MONDO MANHATTAN” right here.
Maks Suski has been hard at work documenting live music in NYC on video for the last 4 years; we asked him to compile a list of some of his favorite videos that he’s shot, a list that includes Japanther, Action Bronson, Death Grips, Culo, Crystal Castles, Limp Wrist, Black Pus and more.
“Although Tiny Leg’s sound owes much of it’s inspiration to the Oakland glucose and thumbtrack scenes of the mid-nineties, and has been called by HotFridge magazine ‘a thumbcore homage to the sound of Velvet Curtis and Taco’ and ‘a slick-stale, neo-juicy, post-hipster alchemy, somewhere in between gluke-wave and puke-base’ by PeckerwoodsToday, those sentences are too journalistic and not souague enough, if one may permit my french.”
PUNK NOT ART NOISE NOT MUSIC ACK ACK ACK ACK
Tod Seelie’s book release and photo show at Superchief Gallery at CultureFix was a celebration of the last 15 years of New York’s underground, for sure; but it also kept an eye on the future.