For the past few years, the All Tomorrow’s Parties festival has been hosting events called “I’ll Be Your Mirror.” These are unlike normal ATP festivals because they’re held at regular venues, not resorts in the Catskills or seaside England. It would be great if they mixed it up and named the festivals after different songs off The Velvet Underground and Nico, although I could see the “Heroin” festival being more of a bummer than it would be worth.

Anyway, this year’s lineup doesn’t have many surprises (Chavez and the Dirty Three, while both great bands, play every single one of these things) and it’s sure to make dudes in their late 30′s sweat out their faded Stereolab t-shirts. But one band in particular is one that I never expected to reunite, and it’s one of the most unique bands of the past couple decades, Washington, D.C.’s The Make-Up. For years and years I have obsessed over the various projects of Ian Svenonius, the Psychic Soviet himself, the mind behind some of the greatest and most conceptual punk bands ever. If you’re not familiar with the Nation of Ulysses, they merged early 90′s DIY culture with a revolutionary youth culture aesthetic, paying equal homage to early rock and jazz as they did to ultra-stylized anarcho-communist ideals. His next band, the Cupid Car Club, only released one nearly inscrutable 7″, based around a teenage gang/suicide cult and a later Planet of the Apes movie, and it’s a record I force anyone I’m with to buy whenever I come across it at a record store.

The next band he fronted was the Make-Up, featuring his NOU bandmates James Canty and Steve Gamboa, and bombshell bassist Michelle Mae. They frequently get lumped in as a garage rock or soul revivalist band, but that’s severely selling them short – your average leather jacket/BBQ blowout Fonzie rockers wouldn’t be able to carry Spiv’s can of pomade. Drawing equally from classic soul vamps, the post-punk era, and a near-cultish liberation theology, they pushed back against what Svenonius described in Steady Diet fanzine as the “vacuous form” of indie rock, preferring improvisation and spontaneity to create their unique “Gospel Yeh-Yeh” sound. If you haven’t heard them before and aren’t clicking off this page to find a tumblr with triangles on it, do yourself a favor and find a Mediafire link of After Dark, the “live record” they made onstage at the Black Cat in DC, playing to an empty room with crowd sounds dubbed in after the fact. Absolutely essential listening.

I pulled up a couple videos from the show they played in England back in May, and they do not disappoint. Here’s a video of them playing their classic “I Want Some” at ATP:

And here’s a video of the Make-Up in their prime playing “I Am Pentagon” live on French TV:

 

-Chris Berry
Fan Death Records

SUPERCHIEF SUNDAYS ARE FUCKING ill ill ill- TATTOOS & BBQ & LIVE MURALS & FREE BEEEEER

I AM. SOFA KING PUMPED. FOR SUNDAY. PRINTS AND LIVE PAINTING AND ARTWORK BY Sheryo Sherry Oh Pong Tom Costa Alexander Heir Claudia Ramirez Metro Zu Poshh […]

TRANSMISSION MAGAZINE LAUNCH PARTY FOR FNT 2014: FOOTAGE OF SXSW WITH MOBB DEEP, BABES, FIGHTS AND MORE (AND 50+ PHOTOS FROM TOD SEELIE)

FNT has been the best underground party in NYC for years now, and it’s spreading to the rest of the country now too, thanks to a successful SXSW event and a magazine with TRANSMISSION magazine. We interviewed Fight Night leader Bekim Trenova to talk about all that and what’s to come. PLUS: footage of the release of the magazine. PLUS: footage of the SXSW event. PLUS: footage of Mobb Deep’s performance. PLUS: photos by Tod Seelie. Yeah, we got all that and more, RIGHT HERE.

The Germans Who Dress Like Native Americans and Refuse to Return Their Scalps

Contributing photographer Jennifer Osborne has been working in Europe on a photography project about cultural appropriation of Native Americans by Europeans. In wake of Pharrell Williams’ controversial “Indian Headress” on the cover of Elle Magazine, this degree of Native Dress-up seems extra offensive.

GOOSEBUMPS “SCARED TO SEE A DOCTOR” RECORD RELEASE SHOW AT 538 JOHNSON (FULL SETS FROM GOOSEBUMPS, AJAX, MERCENARY, LIBYANS, AND LA MISMA)

Like an episode of Jerry Springer, but with more fireworks.

FIGHT CLUB: THE BEST OF FRIDAY NIGHT THROWDOWN

Following the news of Throwdown’s return at SXSW this year with a Texas vs. NYC event, it seems only appropriate to take a look back at the history of Friday Night Throwdown, and the coverage we’ve had of it here on Superchief over the years. For the uninitiated; Friday Night Throwdown wasn’t just NYC’s best underground boxing event, it was NYC’s best underground party.

TEXAS VS. NYC: THROWDOWN RETURNS AT SXSW THIS YEAR

The organization that brought Ford models, Marines and Bloods together for New York’s best underground party is bringing their business to Austin, and bringing with them a Texas vs. NYC event…and Superchief will be covering the whole thing, from start to finish.

THIS APRIL: SUPERCHIEF GALLERY NYC PRESENTS JOHN FELIX ARNOLD III’S “EXCORRIGIA | THE SCOURGE”

From the world of UNSTOPPABLE TOMORROW, Superchief Gallery NYC returns this spring with John Felix Arnold III’s EXCORRIGIA | THE SCOURGE, an exhibition of new works in painting, drawing, mixed media, installation, and sound. The exhibition will run from April 3 through April 13, and there will be an opening reception on Thursday, April 3 from 6-10pm at CultureFix on 9 Clinton Street.

HIGH ON HUNGER: JANE CHARDIET

“High on Hunger” is Jane Chardiet’s new zine, featuring personal essay, photography and interviews with 12 artists, including some of our favorites, about their 2013 and their artistic goals in the new year, along with photographs of each licking fire. It’s good stuff, so I asked Jane about her 2013, because turnabout’s fair play and that’s how the game works.

12 O’ CLOCK BOYS (BALTIMORE STREETBIKE REALNESS)

Whatever your city is doing, what the homies out in B-More are doing is 10x as crazy. 12 O’ Clock Boys is one of the hardest movies we’ve seen in a long time, hands down, exploring a city and a culture that just doesn’t give a fuck (and featuring Baltimore himies like Schwarz on the soundtrack) the film gets more done in it’s 75 minutes than most documentaries do in twice that.

TAPE BAG #1: I HAVEN’T GOTTEN OFF MY COUCH IN DAYS.

Talking shit on random tapes cuz I wanna. Round one: Mongrel, Skinny Puppy, Madonna, Gowanus Mutant Kommandos, Temple of the Dog and MORE.

R.I.P RICKY LUANDA OF CHAIN GANG

Ricky Luanda of the experimental NYC punk band Chain Gang, one of the coolest bands ever, passed away earlier this week from esophogeal cancer. Watch 10 minutes of the bands’ rare, legendary, batshit crazy 1980′s film “MONDO MANHATTAN” right here.

ALWAYS KEEP THE CAMERA RUNNING: MAKS SUSKI’S VIDEOS OF THE NYC MUSIC SCENE

Maks Suski has been hard at work documenting live music in NYC on video for the last 4 years; we asked him to compile a list of some of his favorite videos that he’s shot, a list that includes Japanther, Action Bronson, Death Grips, Culo, Crystal Castles, Limp Wrist, Black Pus and more.

THERE IS A TINY LEG A QUARTER OF AN INCH BELOW YOUR TENTH RIB.

“Although Tiny Leg’s sound owes much of it’s inspiration to the Oakland glucose and thumbtrack scenes of the mid-nineties, and has been called by HotFridge magazine ‘a thumbcore homage to the sound of Velvet Curtis and Taco’ and ‘a slick-stale, neo-juicy, post-hipster alchemy, somewhere in between gluke-wave and puke-base’ by PeckerwoodsToday, those sentences are too journalistic and not souague enough, if one may permit my french.”

DAWN OF HUMANS, HANK WOOD & THE HAMMERHEADS, AND PHARMAKON PLAYED PS1 SATURDAY NIGHT (FULL SETS)

PUNK NOT ART NOISE NOT MUSIC ACK ACK ACK ACK

TOD SEELIE’S “BRIGHT NIGHTS” BOOK RELEASE & PHOTO SHOW AT SUPERCHIEF GALLERY AT CULTUREFIX (VIDEO)

Tod Seelie’s book release and photo show at Superchief Gallery at CultureFix was a celebration of the last 15 years of New York’s underground, for sure; but it also kept an eye on the future.